Films catalogue
La dissolution du paysage
Synopsis
Through visual metaphors, the film offers an incursion into an inner landscape, a dive into subconscious, a mix of childhood memories and recurrent dreams, between surrealism and automatism.
Cast & Crew
- Screenplay : Anne-Marie Bouchard
- Animation : Anne-Marie Bouchard
- Editor : Anne-Marie Bouchard
- Sound : Lyne Goulet, Martien Bélanger, Fred Lebrasseur & Anne-Marie Bouchard
- Sound mix : Martien Bélanger
- Sound editor : Martien Bélanger
- Music : Lyne Goulet, Martien Bélanger & Fred Lebrasseur
Genre
Topics
Trailer
Biography
Anne-Marie Bouchard lives and works in Québec City. She directed several experimental videos and installations. Her work is about exploring the mysteries and wonders of the world and questioning the way we perceive and analyze it. To sense, to feel, to be immersed, and to question: her cinema is poetry.
Festivals
- 2024 -
FIFA - Festival International du Film sur l'Art,Montréal, Québec
Porto Femme, Portugal
Sommets du cinéma d'animation, Montréal, Québec
Tranås at the Fringe, Suède
RIFFA - Regina International Film festival and Awards, Canada
FCVQ - Festival de cinéma de la ville de Québec, Canada
Antimatter [Media Art], Victoria, Canada
Kinoskop - Analog Experimental Film Festival, Belgrade, Serbie
Cairo Video Festival, Caire, Égypte
Festival tous Courts / Catégorie expérimentale, Aix-en-Provence, France
Kinoskop - Analog Experimental Film Festival, Belgrade, Serbie
Festival du court métrage d'Auch, Auch, France
Harkat 16mm FF, Mumbai, India
- 2025 -
The Psychedelic and Trans-personal Film and Music Festival, New-York, USA
Cinema On The Bayou, Lafayette, Louisiane
Ribalta Experimental Film Festival, Modène, Italie
Athens Animfest, Athène, Grèce
Experiments in cinema international, Albuquerque, USA
Istanbul Experimental Film Festival, Istanbul, Turquie
Moviate Underground Film Festival, Harrisburg PA, USA
Bogotá Experimental Film Festival, Bogotá, Colombia
Director's statement
It's a film of etching on film, drawing on film, laser engraving on film, wetting and chemical manipulation of film, edited to an original improvised score by Lyne Goulet, Martien Bélanger and Fred Lebrasseur. The improvisations on film fed the music, which in turn fed the editing and new animations, in a constant back-and-forth between the creation of the animations and the music.
