Films catalogue
Through
Synopsis
Poetic portrait of the Acadian artist Monique Léger. A transmission of Authentic Movement as a driving force for transcending death.
Cast & Crew
- Screenplay, cinematographer, editor & sound : Béatriz Mediavilla
- Sound mix : Dominic Despins
- Music : Jean-François Mallet
- Choreography and interpretation : Monique Léger
Genre
Topics
Biography

Béatriz Mediavilla, a filmmaker with a master's degree in film studies, has been teaching at the Cégep de l'Abitibi-Témiscamingue since 1996. Born into a family of Spanish origin, her parents having fled Franco's Spain, she takes a sensitive and committed look at the world. Danse avec elles (2014), her first feature-length documentary, was acclaimed at numerous festivals in North America and Europe. Her feature film, Habiter le mouvement, un récit en dix chapitres (2019), explores the relationship between dance and space, and was awarded Best Documentary at the Fine Art Film Festival in California, as well as at the Utah Dance Film Festival. The film also won Best CanadianWork at the International Festival of Films on Art, and earned Mediavilla the Découverte award at the Prix de la danse de Montréal. In 2022, she won the Prix CALQ - Artiste de l'année en Abitibi-Témiscamingue.
Filmography
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2014Danse avec elles / 90 min.
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20163 mouvements de chute / 9 min.
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2019Habiter le mouvement, un récit en dix chapitres / 61 min.
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2020Still feel you with me / 6 min.
Festivals
- 2024 -
Festival du cinéma international en Abitibi-Témiscamingue (FCIAT), Rouyn-Noranda, Québec
Muestra Movimiento Audiovisual, Guadalajara, Mexique
ADF's Movies By Movers, Durham, NC, USA
Dance Camera Istanbul / Dans Kamera Istanbul, Istanbul, Turquie
Festival international du cinéma francophone en Acadie (FIFCFA), Moncton, Canada | Prix du public
In Shadow, Lisbonne, Portugal
Director's statement
This portrait of Monique Léger seemed to me to be important because of the scope of her work in relation to dance and movement, on the one hand, and our relationship with the body today, on the other. Indeed, despite the pressure of body appearances today, I believe that everyone should be allowed to be as they are, in a deeply legitimate way, and to move according to their needs. Monique Léger's approach is all the more important as it is also situated in the Acadian territory, which also embodies linguistic and, by extension, bodily insecurity. Finally, inhabiting one's body and using movement seemed to me an interesting way of transcending death. The device of the filmed diary seemed an appropriate one for exploring her work.