Films catalogue

In festivals

The Forgotten Ones

Guillaume Collin / 202X / 15 min. / Canada / FRENCH

Synopsis

Two teenagers return to their childhood home. Together, they begin to mourn the father they once loved, but who wounded them deeply.

Cast & Crew

  • Screenplay : Guillaume Collin
  • Cinematographer : Myriam Payette
  • Editor : Guillaume Collin
  • Sound : Tiago McNicoll-Castro-Lopes
  • Sound mix : Bruno Bélanger
  • Sound editor : Sacha Ratcliffe
  • Artistic Director : Paskale Jobin
  • Producer : Emmanuel Hessler
  • Executive Producer : Joe Balass

Genre

Fiction

Topics

Trailer

Biography

Guillaume Collin is a director and producer. He has directed the short films Everything Will Be Alright and Just You and Me. His films deal with the theme of intimacy in love relationships and families. He is a Berlinale Talents alumni. His newest film Babatoura (2021) won the Best International Short Film Award at the Torino Film Festival.

Festivals

2025

Festival de films CINEMANIA, Montréal, Québec

Director's statement

The Forgotten Ones is a short fiction film that explores the impact that family violence has on two teenagers. They experience complex emotions - love, anger, sadness - on the day of their father's funeral.


For several years, I've focused my attention on themes of intimacy, of love and friendship with the shorts Tout ira mieux (2015), Je t'ai vu (2016) and the medium-length Moi sans toi (2019). In 2021, I had the opportunity to direct the short comedy-drama Babatoura, based on a screenplay by Tania Gagné. The film has screened at numerous festivals and won Best International Short Film at the Turin Film Festival.


I'm now turning my attention to themes of family relationships through a series of projects that explore the consequences of domestic violence, a very personal subject. I started with my thesis project Je ne veux pas être devant la caméra (2023), a short documentary on domestic violence-related trauma. I return to fiction with The Forgotten Ones by exploring the trauma experienced by the children of a violent parent, whom they loved, but who hurt them deeply. By acknowledging their wounds, they can begin their grieving process.


I welcome the audience into a story that is both personal and universal, on a subject that remains taboo. Despite Sarah and Xavier's relationship being tainted by violence, hope for love exists.

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