Films catalogue
The fade of day
Synopsis
Hunted by an unforeseen threat, a young father seeks refuge in the countryside. Stripped of his bearings, he questions the legacy he will offer to his newborn child. The Fade of Day is a raw and surprising fable, both direct and sensitive. Inspired by a true story.
Cast & Crew
- Director : Jason Todd
- Narration : Jules Ronfard, Rose-Anne Déry
- Music : Cyril Tousignant (Existe), Jason Sharp
- Poetry : Khalil Gibran, Gabriel Harvey-Savard
Genre
Topics
Biography
Jason is a filmmaker. He co-directed The Roar of their Engines (2021), wrote the web series Papa Guillotine (2023), and currently has a few ongoing projects. Alongside his creative work, he holds various roles within the film industry. He is a short film programmer for Rendez-Vous Québec Cinéma Film Festival and a writer specializing in short films (Séquences, Talking Short). He has worked as an artistic director (Tënk), short film distributor (h264), filmmaker-mentor for Indigenous artists (Wapikoni), and photo-chemical lab technician (MELS). Deeply involved in the community, he sits on the board of the Short Film Conference and is a permanent member of the Film/Video committee at the Montreal Art Council.
Filmography
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2021The roar of their engines / 16 min.
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2017White noise / 5 min.
Director's statement
The Fade of Day is a short film made in the urgency that followed the birth of my daughter, in which I explore my experience of fatherhood through certain codes of horror cinema — more specifically, the "home invasion" subgenre.
Upon her arrival in my life, I was overwhelmed by an intense and immediate wave of vulnerability, enough to throw me completely off balance. I quickly found myself struggling to embrace my new role as a father, as a powerful and unexpected urge to flee took hold of me. Where did this feeling come from? How could I be overcome by a force that seemed so contrary to my very nature? Surely, I am not the only one to have experienced such an impulse. After all, the figure of the absent or fleeing father is sadly, still deeply rooted in our sociocultural landscape.
In an effort to confront this anxiety, I instinctively turned to cinema. My camera became my diary, and the editing room, my writing tool. The result, created intuitively and without a script, took the form of a raw, fragmented film, combining various mixed media techniques to reflect the spontaneous nature of my creative process.
